|Review: Aphelon - The Ethos Elite|
|The Ethos Elite|
Label: Lycanthropic Fervour Records
Year released: 2003
Review online: November 13, 2003
Reviewed by: Chaossphere
for:The Ethos Elite
Rated 3.33/5 (66.67%) (3 Votes)
Hailing from the bizarrely named New Zealand city of Christchurch (most often referred to as Antichristchurch by its less pious residents), Aphelon purveys a unique blend of modernized death metal with some black metal influences. This is only their second demo, remixed and re-released as a 5-song mini CD, yet already they've staked out an individual sound. Not bad going at all if you ask me. These 5 tracks clock in at nearly half an hour, and thus it's practically a full-length album. The band throws all sorts of elements into their whirling maelstrom of sound - the songs flow effortlessly between chunky, pinch-harmonic laden death metal savagery and a more melodic, tremolo-picking black metal- inspired approach, interspersed with some unusual rhythmic naunces. The rhythm section backs this up with fluid, subtle driving percussion, although the bass is somewhat buried in the mix.
Speaking of production, it's not too bad, but I do have a couple of minor quibbles. It sounds a bit too polished for my liking - it's nowhere the searing wall of glistening plastic achieved by a lot of modern death metal acts, but it lacks the in-your-face power of the more live-sounding feel of a good analog production. The vocals, too, are often drenched in a weird distortion effect, which is somewhat overused to my ears. Still, the moments where they speed up and the vocal effects vanish provide some truly devastating moments, and the strange production becomes increasingly irrelevant. Either way, it fails to detract from the listening experience.
The highlight here is undoubtedly the second track, "Opposing The Pityfilth", which shoves a particularly vicious riff in your face during the chorus and segues into a dark, morbid chorus. "Liars Bound", too, is a killer track, and brings in an excellent soaring bridge section with completely uneffected clean vocals - this part is just fucking excellent, and leads back into crushing heaviness with stunning fluency. It's always obvious that these guys know how to manipulate their instruments - this is certainly no amateurish garage band, and it's obvious that with a slightly more varied approach to songwriting and a more powerful production, they easily have the potential to create some intense, violent death metal. They're already most of the way there as it is, so I avidly suggest keeping an eye on their future development, as Aphelon are set to make quite an impact on the international extreme metal scene in the next couple of years.
|Other related information on the site|
|Review: Scorn Shall Prevail (reviewed by Chaossphere)|
Interview with Okoi Jones (vocals/guitars) on August 1, 2005 (Interviewed by Cluedo)
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